<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/'><id>tag:blogger.com,1999:blog-8214297712303916286.post807998560293838415..comments</id><updated>2009-06-04T07:35:26.345-04:00</updated><category term='Chuck Jones'/><category term='Walt Disney'/><category term='Science Fiction'/><category term='Short Films'/><category term='1960s'/><category term='Documentaries'/><category term='Stanley Kubrick'/><category term='F.W. Murnau'/><category term='2000s'/><category term='1920s'/><category term='Oscars'/><category term='1910s'/><category term='French Cinema'/><category term='Westerns'/><category term='Billy Wilder'/><category term='1940s'/><category term='Sound Savour'/><category term='Orson Welles'/><category term='Musicals'/><category term='National Film Registry'/><category term='2008 In Review'/><category term='Howard Hawks'/><category term='Film Noir'/><category term='1970s'/><category term='1950s'/><category term='War Films'/><category term='Horror Films'/><category term='Fritz Lang'/><category term='Silent Films'/><category term='Sight and Sound Top 10'/><category term='Charles Chaplin'/><category term='John Ford'/><category term='1930s'/><category term='Alfred Hitchcock'/><category term='Television'/><category term='German Cinema'/><category term='Sunday Matinee'/><category term='Animation'/><category term='Buster Keaton'/><category term='2009 in Review'/><title type='text'>Comments on Screen Savour: Chaplin at Keystone (1914)</title><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://www.screensavour.net/feeds/807998560293838415/comments/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8214297712303916286/807998560293838415/comments/default'/><link rel='alternate' type='text/html' href='http://www.screensavour.net/2009/06/chaplin-at-keystone-1914.html'/><author><name>T.S.</name><email>noreply@blogger.com</email><gd:image xmlns:gd='http://schemas.google.com/g/2005' rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='31' src='http://4.bp.blogspot.com/_iQQyMY0s_7Q/SYbmii5xNxI/AAAAAAAAA08/Mk6itOHr9NU/S220/Typewriter.jpg'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>2</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>25</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-8214297712303916286.post-1885551670828700872</id><published>2009-06-04T07:35:26.345-04:00</published><updated>2009-06-04T07:35:26.345-04:00</updated><title type='text'>Great point, John! How violent indeed, although ce...</title><content type='html'>Great point, John! How violent indeed, although certainly not without the possibility of humor. (I must admit I laughed the hardest in &lt;i&gt;Tillie&amp;#39;s Punctured Romance&lt;/i&gt; when Chaplin is accidentally hit in the face with the brick, and then the brick begins to make the rounds on everyone&amp;#39;s head; but, alas, not many other laughs to be had.)&lt;br /&gt;&lt;br /&gt;And I wholeheartedly second your point about watching the Tramp mature. It may be the sole reason I find &lt;i&gt;The New Janitor&lt;/i&gt; so compelling and why, outside of the Sennett-oriented films, that particular short might not stand out. When compared to how the comedy and narrative had gone in the previous shorts, that one is subtle and quasi-sophisticated. (He still had a while to go before he &amp;quot;became Chaplin&amp;quot; and everything that means.)</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8214297712303916286/807998560293838415/comments/default/1885551670828700872'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8214297712303916286/807998560293838415/comments/default/1885551670828700872'/><link rel='alternate' type='text/html' href='http://www.screensavour.net/2009/06/chaplin-at-keystone-1914.html?showComment=1244115326345#c1885551670828700872' title=''/><author><name>T.S.</name><uri>http://www.blogger.com/profile/00945932279787919282</uri><email>noreply@blogger.com</email><gd:image xmlns:gd='http://schemas.google.com/g/2005' rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='31' src='http://4.bp.blogspot.com/_iQQyMY0s_7Q/SYbmii5xNxI/AAAAAAAAA08/Mk6itOHr9NU/S220/Typewriter.jpg'/></author><thr:in-reply-to xmlns:thr='http://purl.org/syndication/thread/1.0' href='http://www.screensavour.net/2009/06/chaplin-at-keystone-1914.html' ref='tag:blogger.com,1999:blog-8214297712303916286.post-807998560293838415' source='http://www.blogger.com/feeds/8214297712303916286/posts/default/807998560293838415' type='text/html'/><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='blogger.itemClass' value='pid-32407462'/></entry><entry><id>tag:blogger.com,1999:blog-8214297712303916286.post-1288986903615890792</id><published>2009-06-03T09:15:48.448-04:00</published><updated>2009-06-03T09:15:48.448-04:00</updated><title type='text'>What amazed me after watching Chaplin&amp;#39;s early ...</title><content type='html'>What amazed me after watching Chaplin&amp;#39;s early works was how violent the comedy was; then again, most comedy from that period leaned on violent behavior. The tramp character was also a bit on the malicious, cruel side. In later works Chaplin refined the tramp character toning down these traits and making him a more a three dimensional character. In watching the tramp develop and change from these primitive works to his most sophisticated late films is to watch the growth of one of the great artists of our time.&lt;br /&gt;&lt;br /&gt;Terrific post T.S.</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8214297712303916286/807998560293838415/comments/default/1288986903615890792'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8214297712303916286/807998560293838415/comments/default/1288986903615890792'/><link rel='alternate' type='text/html' href='http://www.screensavour.net/2009/06/chaplin-at-keystone-1914.html?showComment=1244034948448#c1288986903615890792' title=''/><author><name>John</name><uri>http://www.blogger.com/profile/01808503055317962289</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='15183312040860017376'/><gd:image xmlns:gd='http://schemas.google.com/g/2005' rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:in-reply-to xmlns:thr='http://purl.org/syndication/thread/1.0' href='http://www.screensavour.net/2009/06/chaplin-at-keystone-1914.html' ref='tag:blogger.com,1999:blog-8214297712303916286.post-807998560293838415' source='http://www.blogger.com/feeds/8214297712303916286/posts/default/807998560293838415' type='text/html'/><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='blogger.itemClass' value='pid-1025696812'/></entry></feed>
