<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/'><id>tag:blogger.com,1999:blog-8214297712303916286.post4000132460923364666..comments</id><updated>2008-10-10T16:30:06.824-04:00</updated><category term='Chuck Jones'/><category term='Walt Disney'/><category term='Science Fiction'/><category term='Short Films'/><category term='1960s'/><category term='Documentaries'/><category term='Stanley Kubrick'/><category term='F.W. Murnau'/><category term='2000s'/><category term='1920s'/><category term='Oscars'/><category term='1910s'/><category term='French Cinema'/><category term='Westerns'/><category term='Billy Wilder'/><category term='1940s'/><category term='Sound Savour'/><category term='Orson Welles'/><category term='Musicals'/><category term='National Film Registry'/><category term='2008 In Review'/><category term='Howard Hawks'/><category term='Film Noir'/><category term='1970s'/><category term='1950s'/><category term='War Films'/><category term='Horror Films'/><category term='Fritz Lang'/><category term='Silent Films'/><category term='Sight and Sound Top 10'/><category term='Charles Chaplin'/><category term='John Ford'/><category term='1930s'/><category term='Alfred Hitchcock'/><category term='Television'/><category term='German Cinema'/><category term='Sunday Matinee'/><category term='Animation'/><category term='Buster Keaton'/><category term='2009 in Review'/><title type='text'>Comments on Screen Savour: Blackmail (1929)</title><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://www.screensavour.net/feeds/4000132460923364666/comments/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8214297712303916286/4000132460923364666/comments/default'/><link rel='alternate' type='text/html' href='http://www.screensavour.net/2008/10/blackmail-1929.html'/><author><name>T.S.</name><email>noreply@blogger.com</email><gd:image xmlns:gd='http://schemas.google.com/g/2005' rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='31' src='http://4.bp.blogspot.com/_iQQyMY0s_7Q/SYbmii5xNxI/AAAAAAAAA08/Mk6itOHr9NU/S220/Typewriter.jpg'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>3</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>25</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-8214297712303916286.post-3246258876358127325</id><published>2008-10-10T14:16:00.000-04:00</published><updated>2008-10-10T14:16:00.000-04:00</updated><title type='text'>I have a copy of the silent, which was sent on to ...</title><content type='html'>I have a copy of the silent, which was sent on to me from Allan Fish in the U.K., and it IS better than this version, although you are right to pair it with THE LODGER as the very best of the early films.  There was a remarkable Criterion laserdisc of this film with a terrific commentary by the then 90 year old-screenwriter.  Your review is one of the best you have written for this series, but no wonder!</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8214297712303916286/4000132460923364666/comments/default/3246258876358127325'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8214297712303916286/4000132460923364666/comments/default/3246258876358127325'/><link rel='alternate' type='text/html' href='http://www.screensavour.net/2008/10/blackmail-1929.html?showComment=1223662560000#c3246258876358127325' title=''/><author><name>Sam Juliano</name><email>noreply@blogger.com</email><gd:image xmlns:gd='http://schemas.google.com/g/2005' rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img1.blogblog.com/img/blank.gif'/></author><thr:in-reply-to xmlns:thr='http://purl.org/syndication/thread/1.0' href='http://www.screensavour.net/2008/10/blackmail-1929.html' ref='tag:blogger.com,1999:blog-8214297712303916286.post-4000132460923364666' source='http://www.blogger.com/feeds/8214297712303916286/posts/default/4000132460923364666' type='text/html'/><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='blogger.itemClass' value='pid-1257532842'/></entry><entry><id>tag:blogger.com,1999:blog-8214297712303916286.post-6630286970957758888</id><published>2008-10-05T03:42:00.000-04:00</published><updated>2008-10-05T03:42:00.000-04:00</updated><title type='text'>Hi! T.S.&lt;br&gt;I do own Alfred Hitchcock's 1929 film ...</title><content type='html'>Hi! T.S.&lt;BR/&gt;I do own Alfred Hitchcock's 1929 film &lt;B&gt;Blackmail&lt;/B&gt; but I have never watch it before...well it looks like that is about to change. I guess that I will try to watch it tomorrow.&lt;BR/&gt;Speaking of, audio transition I like the way director Stanley Donen, may have used  it in his "homage" to Hitch in his 1963 film &lt;B&gt;Charade&lt;/B&gt; (One of my favorite films) when the maid find the dead body of actor arthur kennedy, had drown in bed with his pajamas on.(She screams, and the scene immediately "cut" to the police office.)I think very similar to the scene from Hitch's film &lt;B&gt;The 39 Steps&lt;/B&gt; when the landlord finds the body of the dead woman in actor Robert Donat apartment.</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8214297712303916286/4000132460923364666/comments/default/6630286970957758888'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8214297712303916286/4000132460923364666/comments/default/6630286970957758888'/><link rel='alternate' type='text/html' href='http://www.screensavour.net/2008/10/blackmail-1929.html?showComment=1223192520000#c6630286970957758888' title=''/><author><name>darkcitydame4e</name><uri>http://www.blogger.com/profile/06369967577590947967</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='08827149535374167285'/><gd:image xmlns:gd='http://schemas.google.com/g/2005' rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='18' src='http://bp3.blogger.com/_3nE_N5nG5eU/SImzO54NycI/AAAAAAAAANs/xFQ8tjdjZX4/S220/menu%2520Otto%2520Preminger%2520Where%2520the%2520Sidewalk%2520Ends%2520DVD%2520Review%2520Gene%2520Tierney%2520PDVD_002.jpg'/></author><thr:in-reply-to xmlns:thr='http://purl.org/syndication/thread/1.0' href='http://www.screensavour.net/2008/10/blackmail-1929.html' ref='tag:blogger.com,1999:blog-8214297712303916286.post-4000132460923364666' source='http://www.blogger.com/feeds/8214297712303916286/posts/default/4000132460923364666' type='text/html'/><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='blogger.itemClass' value='pid-204981636'/></entry><entry><id>tag:blogger.com,1999:blog-8214297712303916286.post-6041833186524783730</id><published>2008-10-04T08:27:00.000-04:00</published><updated>2008-10-04T08:27:00.000-04:00</updated><title type='text'>I haven't seen Blackmail in a while.  I mostly rem...</title><content type='html'>I haven't seen Blackmail in a while.  I mostly remember the obsessive visual and verbal treatment of the knife later in the movie, but it would be fun to trace the many film techniques that Hitchcock used later.   You mention the "obsessive task of cleaning a crime scene."  A variation on the long scene of Norman cleaning up the bathroom in Psycho?  &lt;BR/&gt;&lt;BR/&gt;Also, isn't the audio transition of the scream used in a similar way in The 39 Steps when the landlord finds the body?&lt;BR/&gt;&lt;BR/&gt;Blackmail sounds a bit like Tim Burton's Frankenweiner in the way you can see much foreshadowing of the director's later career.</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8214297712303916286/4000132460923364666/comments/default/6041833186524783730'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8214297712303916286/4000132460923364666/comments/default/6041833186524783730'/><link rel='alternate' type='text/html' href='http://www.screensavour.net/2008/10/blackmail-1929.html?showComment=1223123220000#c6041833186524783730' title=''/><author><name>FilmDr</name><uri>http://www.blogger.com/profile/03073505923746994988</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='03380008750936550949'/><gd:image xmlns:gd='http://schemas.google.com/g/2005' rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:in-reply-to xmlns:thr='http://purl.org/syndication/thread/1.0' href='http://www.screensavour.net/2008/10/blackmail-1929.html' ref='tag:blogger.com,1999:blog-8214297712303916286.post-4000132460923364666' source='http://www.blogger.com/feeds/8214297712303916286/posts/default/4000132460923364666' type='text/html'/><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='blogger.itemClass' value='pid-42719914'/></entry></feed>
