<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/'><id>tag:blogger.com,1999:blog-8214297712303916286.post3937960186293429418..comments</id><updated>2008-11-27T13:08:44.349-05:00</updated><category term='Chuck Jones'/><category term='Walt Disney'/><category term='Science Fiction'/><category term='Short Films'/><category term='1960s'/><category term='Documentaries'/><category term='Stanley Kubrick'/><category term='F.W. Murnau'/><category term='2000s'/><category term='1920s'/><category term='Oscars'/><category term='1910s'/><category term='French Cinema'/><category term='Westerns'/><category term='Billy Wilder'/><category term='1940s'/><category term='Sound Savour'/><category term='Orson Welles'/><category term='Musicals'/><category term='National Film Registry'/><category term='2008 In Review'/><category term='Howard Hawks'/><category term='Film Noir'/><category term='1970s'/><category term='1950s'/><category term='War Films'/><category term='Horror Films'/><category term='Fritz Lang'/><category term='Silent Films'/><category term='Sight and Sound Top 10'/><category term='Charles Chaplin'/><category term='John Ford'/><category term='1930s'/><category term='Alfred Hitchcock'/><category term='Television'/><category term='German Cinema'/><category term='Sunday Matinee'/><category term='Animation'/><category term='Buster Keaton'/><category term='2009 in Review'/><title type='text'>Comments on Screen Savour: Sound Savour: The White Album (1968)</title><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://www.screensavour.net/feeds/3937960186293429418/comments/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8214297712303916286/3937960186293429418/comments/default'/><link rel='alternate' type='text/html' href='http://www.screensavour.net/2008/11/sound-savour-white-album-1968.html'/><author><name>T.S.</name><email>noreply@blogger.com</email><gd:image xmlns:gd='http://schemas.google.com/g/2005' rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='31' src='http://4.bp.blogspot.com/_iQQyMY0s_7Q/SYbmii5xNxI/AAAAAAAAA08/Mk6itOHr9NU/S220/Typewriter.jpg'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>2</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>25</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-8214297712303916286.post-3775821736041470776</id><published>2008-11-27T13:08:00.000-05:00</published><updated>2008-11-27T13:08:00.000-05:00</updated><title type='text'>FilmDr - I think Spitz is probably right, that the...</title><content type='html'>FilmDr - I think Spitz is probably right, that the splintering of the band members probably did lend a fragmentary air to many of the songs on the album. That's good and bad, of course – good in that it really seemed to be the kick-start to many of their solo careers, but bad in a sense that if they were producing such good material on their own, it's interesting to wonder how much better more collaborative work might have been. I'm pretty dismissive of "Rocky Raccoon," although I think "Why Don't We..." is fun. The fragments can be frustrating, particularly when they're surprisingly captivating  and you wish there was more (like McCartney's haunting add-on at the end of Lennon's "Cry Baby Cry"). In my opinion, despite their approach of greatness, none of the songs on &lt;I&gt;The White Album&lt;/I&gt;, soar to the same heights as something like "A Day in the Life," which is really a fantastic representation of how Lennon and McCartney could combine both of their aesthetics into a single track. (Yet I do consider &lt;I&gt;The White Album&lt;/I&gt; to be more of a fave than &lt;I&gt;Sgt. Pepper&lt;/I&gt;.) In the end, I think there's an overwhelming sense of uniformity that emerges from the collective rawness. Despite its hodgepodge feeling in hasty observation, I think too it's actually assembled quite deftly (with some beautiful mirroring and grouping of songs), a fact that's generally lost now that we don't listen to vinyl as much and just let a CD player or iTunes shuffle down through the songs.</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8214297712303916286/3937960186293429418/comments/default/3775821736041470776'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8214297712303916286/3937960186293429418/comments/default/3775821736041470776'/><link rel='alternate' type='text/html' href='http://www.screensavour.net/2008/11/sound-savour-white-album-1968.html?showComment=1227809280000#c3775821736041470776' title=''/><author><name>T.S.</name><uri>http://www.blogger.com/profile/00945932279787919282</uri><email>noreply@blogger.com</email><gd:image xmlns:gd='http://schemas.google.com/g/2005' rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:in-reply-to xmlns:thr='http://purl.org/syndication/thread/1.0' href='http://www.screensavour.net/2008/11/sound-savour-white-album-1968.html' ref='tag:blogger.com,1999:blog-8214297712303916286.post-3937960186293429418' source='http://www.blogger.com/feeds/8214297712303916286/posts/default/3937960186293429418' type='text/html'/><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='blogger.itemClass' value='pid-32407462'/></entry><entry><id>tag:blogger.com,1999:blog-8214297712303916286.post-7039348212412607245</id><published>2008-11-27T08:56:00.000-05:00</published><updated>2008-11-27T08:56:00.000-05:00</updated><title type='text'>Nice review.  In his recent biography of the Beatl...</title><content type='html'>Nice review.  In his recent biography of the Beatles, I think I remember Bob Spitz discussing how the White album reflected the upcoming break-up of the band (as you mentioned).  He was concerned about the way the Beatles were no longer collaborating on songs as much, so some of them seem more fragmentary.  "Rocky Raccoon" is an under-baked doodle of a song as well as "Why Don't We Do It In the Road?"  Thoughts on this?  One could make the case that the fragmentary nature also makes the album more evocative and suggestive (and more open to the crazy interpretations of people like Charles Manson).</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8214297712303916286/3937960186293429418/comments/default/7039348212412607245'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8214297712303916286/3937960186293429418/comments/default/7039348212412607245'/><link rel='alternate' type='text/html' href='http://www.screensavour.net/2008/11/sound-savour-white-album-1968.html?showComment=1227794160000#c7039348212412607245' title=''/><author><name>FilmDr</name><uri>http://www.blogger.com/profile/03073505923746994988</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='03380008750936550949'/><gd:image xmlns:gd='http://schemas.google.com/g/2005' rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:in-reply-to xmlns:thr='http://purl.org/syndication/thread/1.0' href='http://www.screensavour.net/2008/11/sound-savour-white-album-1968.html' ref='tag:blogger.com,1999:blog-8214297712303916286.post-3937960186293429418' source='http://www.blogger.com/feeds/8214297712303916286/posts/default/3937960186293429418' type='text/html'/><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='blogger.itemClass' value='pid-42719914'/></entry></feed>
