<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/'><id>tag:blogger.com,1999:blog-8214297712303916286.post2915070533993229548..comments</id><updated>2009-07-09T12:00:17.365-04:00</updated><category term='Chuck Jones'/><category term='Walt Disney'/><category term='Science Fiction'/><category term='Short Films'/><category term='1960s'/><category term='Documentaries'/><category term='Stanley Kubrick'/><category term='F.W. Murnau'/><category term='2000s'/><category term='1920s'/><category term='Oscars'/><category term='1910s'/><category term='French Cinema'/><category term='Westerns'/><category term='Billy Wilder'/><category term='1940s'/><category term='Sound Savour'/><category term='Orson Welles'/><category term='Musicals'/><category term='National Film Registry'/><category term='2008 In Review'/><category term='Howard Hawks'/><category term='Film Noir'/><category term='1970s'/><category term='1950s'/><category term='War Films'/><category term='Horror Films'/><category term='Fritz Lang'/><category term='Silent Films'/><category term='Sight and Sound Top 10'/><category term='Charles Chaplin'/><category term='John Ford'/><category term='1930s'/><category term='Alfred Hitchcock'/><category term='Television'/><category term='German Cinema'/><category term='Sunday Matinee'/><category term='Animation'/><category term='Buster Keaton'/><category term='2009 in Review'/><title type='text'>Comments on Screen Savour: Die Nibelungen (1924)</title><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://www.screensavour.net/feeds/2915070533993229548/comments/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8214297712303916286/2915070533993229548/comments/default'/><link rel='alternate' type='text/html' href='http://www.screensavour.net/2009/07/die-nibelungen-1924.html'/><author><name>T.S.</name><email>noreply@blogger.com</email><gd:image xmlns:gd='http://schemas.google.com/g/2005' rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='31' src='http://4.bp.blogspot.com/_iQQyMY0s_7Q/SYbmii5xNxI/AAAAAAAAA08/Mk6itOHr9NU/S220/Typewriter.jpg'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>2</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>25</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-8214297712303916286.post-1110222845637246974</id><published>2009-07-09T12:00:17.365-04:00</published><updated>2009-07-09T12:00:17.365-04:00</updated><title type='text'>You&amp;#39;re right, Sam, &lt;i&gt;Kriemhilds Rache&lt;/i&gt; tru...</title><content type='html'>You&amp;#39;re right, Sam, &lt;i&gt;Kriemhilds Rache&lt;/i&gt; truly must be seen as a historical completion to &lt;i&gt;Die Nibelungen&lt;/i&gt; — but good God, the film critic in me is not excited to recommend it for any other reason. Halfway through I was thinking to myself, How can this possibly be the second half to what I just saw? It&amp;#39;s somewhat telling that &lt;i&gt;Siegfried&lt;/i&gt; was the film re-released in the years by the Nazis as Ufa was becoming controlled by the state, even though &lt;i&gt;Kriemhilds Rache&lt;/i&gt; is clearly the more brutal of the two; even the Nazis apparently knew which half was better filmmaking. Ha.&lt;br /&gt;&lt;br /&gt;I do agree that &lt;i&gt;Siegfried&lt;/i&gt; is such an important film for the silent era, and one of Lang&amp;#39;s best that I&amp;#39;ve seen. The atmosphere alone is worth the admission price. I only wish the second half showed the same level of cinematic wonder.</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8214297712303916286/2915070533993229548/comments/default/1110222845637246974'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8214297712303916286/2915070533993229548/comments/default/1110222845637246974'/><link rel='alternate' type='text/html' href='http://www.screensavour.net/2009/07/die-nibelungen-1924.html?showComment=1247155217365#c1110222845637246974' title=''/><author><name>T.S.</name><uri>http://www.blogger.com/profile/00945932279787919282</uri><email>noreply@blogger.com</email><gd:image xmlns:gd='http://schemas.google.com/g/2005' rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='31' src='http://4.bp.blogspot.com/_iQQyMY0s_7Q/SYbmii5xNxI/AAAAAAAAA08/Mk6itOHr9NU/S220/Typewriter.jpg'/></author><thr:in-reply-to xmlns:thr='http://purl.org/syndication/thread/1.0' href='http://www.screensavour.net/2009/07/die-nibelungen-1924.html' ref='tag:blogger.com,1999:blog-8214297712303916286.post-2915070533993229548' source='http://www.blogger.com/feeds/8214297712303916286/posts/default/2915070533993229548' type='text/html'/><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='blogger.itemClass' value='pid-32407462'/></entry><entry><id>tag:blogger.com,1999:blog-8214297712303916286.post-2711059487075888407</id><published>2009-07-09T11:37:22.326-04:00</published><updated>2009-07-09T11:37:22.326-04:00</updated><title type='text'>No, T.S., one must see KRIEMHILD&amp;#39;S REVENGE, bu...</title><content type='html'>No, T.S., one must see KRIEMHILD&amp;#39;S REVENGE, but only to see this vision play out.  That said, yes I quite agree that despite the two-month release of the two films, that SIEGFRIED is easily the stronger, and it&amp;#39;s in fact one of Lang&amp;#39;s greatest films ever, fully worthy of inclusion in that elite &amp;quot;M&amp;quot; group you mentioned in your MABUSE review.  Funny, I commented after your SPIDERS piece that it didn&amp;#39;t approach DIE NIEBELUNGEN, and here we are with a review!  You are really examining some silent masterworks here, and with remarkable scholarship.&lt;br /&gt;&lt;br /&gt;I must admit that I am a huge fan of Richard Wagner&amp;#39;s music, and have witnessed the Ring Cycle on three separate occasions at the Metropolitan Opera house in Manhattan, and likewise consider that Chuck Jones cartoon you mention there as my favorite cartoon of all-time.  Boy, what expressionistic strokes on display there!&lt;br /&gt;&lt;br /&gt;And Krakauer&amp;#39;s book is perhaps the most seminal of all volumes about the silent era, and I am a proud owner of it.  I agree with you broaching it here in this great essay.&lt;br /&gt;&lt;br /&gt;Lang&amp;#39;s wife was a Nazi-loving national socialist who stayed back to support the party!  Ha!  Lovely lady!</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8214297712303916286/2915070533993229548/comments/default/2711059487075888407'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8214297712303916286/2915070533993229548/comments/default/2711059487075888407'/><link rel='alternate' type='text/html' href='http://www.screensavour.net/2009/07/die-nibelungen-1924.html?showComment=1247153842326#c2711059487075888407' title=''/><author><name>Sam Juliano</name><email>noreply@blogger.com</email><gd:image xmlns:gd='http://schemas.google.com/g/2005' rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img1.blogblog.com/img/blank.gif'/></author><thr:in-reply-to xmlns:thr='http://purl.org/syndication/thread/1.0' href='http://www.screensavour.net/2009/07/die-nibelungen-1924.html' ref='tag:blogger.com,1999:blog-8214297712303916286.post-2915070533993229548' source='http://www.blogger.com/feeds/8214297712303916286/posts/default/2915070533993229548' type='text/html'/><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='blogger.itemClass' value='pid-1972407513'/></entry></feed>
