<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/'><id>tag:blogger.com,1999:blog-8214297712303916286.post1574958285768044897..comments</id><updated>2008-12-14T20:57:32.247-05:00</updated><category term='Chuck Jones'/><category term='Walt Disney'/><category term='Science Fiction'/><category term='Short Films'/><category term='1960s'/><category term='Documentaries'/><category term='Stanley Kubrick'/><category term='F.W. Murnau'/><category term='2000s'/><category term='1920s'/><category term='Oscars'/><category term='1910s'/><category term='French Cinema'/><category term='Westerns'/><category term='Billy Wilder'/><category term='1940s'/><category term='Sound Savour'/><category term='Orson Welles'/><category term='Musicals'/><category term='National Film Registry'/><category term='2008 In Review'/><category term='Howard Hawks'/><category term='Film Noir'/><category term='1970s'/><category term='1950s'/><category term='War Films'/><category term='Horror Films'/><category term='Fritz Lang'/><category term='Silent Films'/><category term='Sight and Sound Top 10'/><category term='Charles Chaplin'/><category term='John Ford'/><category term='1930s'/><category term='Alfred Hitchcock'/><category term='Television'/><category term='German Cinema'/><category term='Sunday Matinee'/><category term='Animation'/><category term='Buster Keaton'/><category term='2009 in Review'/><title type='text'>Comments on Screen Savour: Dial M for Murder (1954)</title><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://www.screensavour.net/feeds/1574958285768044897/comments/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8214297712303916286/1574958285768044897/comments/default'/><link rel='alternate' type='text/html' href='http://www.screensavour.net/2008/12/dial-m-for-murder-1954.html'/><author><name>T.S.</name><email>noreply@blogger.com</email><gd:image xmlns:gd='http://schemas.google.com/g/2005' rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='31' src='http://4.bp.blogspot.com/_iQQyMY0s_7Q/SYbmii5xNxI/AAAAAAAAA08/Mk6itOHr9NU/S220/Typewriter.jpg'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>2</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>25</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-8214297712303916286.post-7765434258072032631</id><published>2008-12-14T20:57:00.000-05:00</published><updated>2008-12-14T20:57:00.000-05:00</updated><title type='text'>When I started blogging, I was somewhat wary of de...</title><content type='html'>When I started blogging, I was somewhat wary of describing plots or scenes, but I've come to realize that, done correctly, it can be a great way to highlight what makes a great work tick. Your analysis of the "Dial M" scene is a great example.</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8214297712303916286/1574958285768044897/comments/default/7765434258072032631'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8214297712303916286/1574958285768044897/comments/default/7765434258072032631'/><link rel='alternate' type='text/html' href='http://www.screensavour.net/2008/12/dial-m-for-murder-1954.html?showComment=1229306220000#c7765434258072032631' title=''/><author><name>MovieMan0283</name><uri>http://www.blogger.com/profile/11238338958380683893</uri><email>noreply@blogger.com</email><gd:image xmlns:gd='http://schemas.google.com/g/2005' rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:in-reply-to xmlns:thr='http://purl.org/syndication/thread/1.0' href='http://www.screensavour.net/2008/12/dial-m-for-murder-1954.html' ref='tag:blogger.com,1999:blog-8214297712303916286.post-1574958285768044897' source='http://www.blogger.com/feeds/8214297712303916286/posts/default/1574958285768044897' type='text/html'/><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='blogger.itemClass' value='pid-985505097'/></entry><entry><id>tag:blogger.com,1999:blog-8214297712303916286.post-4445009283956107918</id><published>2008-12-13T21:36:00.000-05:00</published><updated>2008-12-13T21:36:00.000-05:00</updated><title type='text'>Hi! T.S., &lt;br&gt;Once again!...a well written review,...</title><content type='html'>Hi! T.S., &lt;BR/&gt;Once again!...a well written review, as usual. I wish that I was a great writer!...Oh well! &lt;BR/&gt;&lt;BR/&gt;Hitchcock, Grant and Jack...&lt;BR/&gt;As much as I "hate" to agree with Warner Bros. "head honcho" (Jack Warner) he, was right about not agreeing with Hitchcock, and the  casting of Grant, "as a man who attempts to have his wife murdered." Warner, claimed audiences wouldn't buy the shift away from lighter fare." &lt;BR/&gt;&lt;BR/&gt;From the Fact or Fiction Dept. &lt;BR/&gt;I once read an article that stated, when Hitchcock's 1941 film "Suspicion" was previewed before an audience, they discovered  that (Cary)Grant, was suppose to kill actress Joan Fontaine,(character) the audience refuse to accept Grant, as the killer.&lt;BR/&gt;Leaving Hitchcock, with the only "option" of reshooting the ending.&lt;BR/&gt;I think he (Grant) was totally typecast.Therefore, I probably wouldn't have included  the film &lt;B&gt;"Dial M for Murder"&lt;/B&gt; in my Hitchcock collection,if actor Cary Grant was cast as the murderous plotting husband.&lt;BR/&gt;I guess that I have also brought into the typecasting of Grant. Because he (Grant) didn't "fool" me one minute in Stanley Donen's 1963 film "Charade."&lt;BR/&gt;&lt;BR/&gt;But, your assessment of the 1954 film "Dial M for Murder" sums up the film perfectly. &lt;BR/&gt;DCD</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8214297712303916286/1574958285768044897/comments/default/4445009283956107918'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8214297712303916286/1574958285768044897/comments/default/4445009283956107918'/><link rel='alternate' type='text/html' href='http://www.screensavour.net/2008/12/dial-m-for-murder-1954.html?showComment=1229222160000#c4445009283956107918' title=''/><author><name>NoirishCity....</name><uri>http://www.blogger.com/profile/06369967577590947967</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='08827149535374167285'/><gd:image xmlns:gd='http://schemas.google.com/g/2005' rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='18' src='http://bp3.blogger.com/_3nE_N5nG5eU/SImzO54NycI/AAAAAAAAANs/xFQ8tjdjZX4/S220/menu%2520Otto%2520Preminger%2520Where%2520the%2520Sidewalk%2520Ends%2520DVD%2520Review%2520Gene%2520Tierney%2520PDVD_002.jpg'/></author><thr:in-reply-to xmlns:thr='http://purl.org/syndication/thread/1.0' href='http://www.screensavour.net/2008/12/dial-m-for-murder-1954.html' ref='tag:blogger.com,1999:blog-8214297712303916286.post-1574958285768044897' source='http://www.blogger.com/feeds/8214297712303916286/posts/default/1574958285768044897' type='text/html'/><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='blogger.itemClass' value='pid-204981636'/></entry></feed>
