tag:blogger.com,1999:blog-8214297712303916286.post1131541805096022307..comments2012-01-09T22:23:38.483-05:00T.S.noreply@blogger.comBlogger3125tag:blogger.com,1999:blog-8214297712303916286.post-30157168082087855492008-10-10T14:19:00.000-04:002008-10-10T14:19:00.000-04:00Yeah, indeed T.S., indeed. This one is static and tedious, and badly dated. I guess we can still attribute that to Hitch still trying to gain his footing. Nice review. My freiend Allan Fish likes this a bit more than I do, but we are pretty much on the same page.Sam Julianonoreply@blogger.comtag:blogger.com,1999:blog-8214297712303916286.post-28929008112739923162008-10-06T23:08:00.000-04:002008-10-06T23:08:00.000-04:00A recent survey of Bergman's career revealed the same trait. Most astonishing was that the atrocious and shockingly uncinematic All Those Women fell squarely between The Silence and Persona. Go figure.MovieMan0283http://www.blogger.com/profile/11238338958380683893noreply@blogger.comtag:blogger.com,1999:blog-8214297712303916286.post-75707737706242786262008-10-04T01:29:00.000-04:002008-10-04T01:29:00.000-04:00According to Bucs1960 (over there on IMDb) "Some of the plot lines are not fully developed and one rather important element is left unsaid in the story's ending. <BR/>(Bucs1960, opinion about Hitch's 1929 film <B>"The Manxman (1929)"</B><BR/>Be that as it may, if you are a fan of the Master, it's required viewing. It will fill in the history of his work and although it is atypical of his later films, it is worth the watch!"<BR/><BR/>I agree, because his early work along with his work in the 30s, 40s, 50s, 60s, and late 70s bring his work to a full circle and complete the cycle. I look at his early work as Hitch experimenting as he develop (what we know today as his own unique style!...or as I refer to it...<I>"The Hitch Style"</I>)<BR/>dcdthe editor.,http://www.blogger.com/profile/10606359132036891911noreply@blogger.com